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Workshops & Education

Gelli Plate Monotype: Image-Transfer Techniques without a Printing Press

A Gelli Plate monotype workshop exploring unique prints, drawing transfers and image-transfer techniques without the use of a printing press.
Meeting dates
Sessions
1
Total duration
3 hours
Instructor
Jana Schumacher
Audience
Beginners
Language
English
Price
€60, including VAT
Payment plan
Single payment
Capacity
10 participants

This workshop introduced participants to monotype printing using an A4 Gelli Plate. Printing took place without an etching press, using a flexible surface as an intermediary medium for transferring colour and imagery onto paper.

Gel printing enables the creation of unique monotypes through successive layers of colour, texture and surface intervention. Each print is a singular result, as the process does not permit exact reproduction.

Participants explored the fundamental principles of monotype, experimented with layered colour and transparency, and practised both drawing transfers and image transfers from laser prints.

Handmade and industrial papers were used to demonstrate how texture and surface quality influence the final impression. Special attention was given to pressure, contact time and the sequencing of layers—elements that determine the materiality and depth of the image.

Materials

All materials and necessary equipment were provided and included in the participation fee.

Instructor

Jana Schumacher

Jana Schumacher is a German visual artist whose practice focuses on drawing, printmaking and site-specific installations. Born in Bonn in 1983, she lives and works in Hamburg and studied Fine Arts with a specialisation in drawing at HAW Hamburg.

Since 2011, she has presented her work in international exhibitions, primarily in Germany and the United States. Her work has been exhibited at institutions including the Museum der Arbeit, the DESY Institute and the Märkisches Museum. She has also participated in international artist residencies and was a fellow of the Paper Residency 2020 in Berlin.

Her practice explores the relationships between order and chaos, transformation and causality, and the intersections of art and science. Her work balances structured composition with creative improvisation, approaching abstract drawing as an intuitively legible system capable of expressing essential aspects of human experience.

Would you be interested in a future edition of this workshop?

This workshop has already taken place. If you would like to attend a future edition, you can register your interest.

We will contact you if a new date is scheduled.

Registering your interest does not constitute a booking or guarantee a place.